Bill Graham

    Bill Graham (January 8, 1931–October 25, 1991) was an American impresario and rock concert promoter, who was prominent from the 1960s until his death.

     Bill Graham was born Wolfgang Grajonca in Berlin, the youngest son of a Jewish family that had emigrated from Eastern Europe/Russia to Germany prior to the rise of Nazism. Graham's father died when he was a baby. As it became increasingly difficult for Jews to survive in Nazi Germany, Graham's mother placed Graham and his younger sister in an orphanage in Berlin. This turned out to be fortunate, as the orphanage sent them to France in a pre–Holocaust exchange of Jewish children for Christian orphans.

     Graham's older sisters stayed behind with his mother. After the fall of France, Graham was among a group of Jewish orphans spirited out of France. A majority of the children – including Graham's younger sister Tolla —did not survive the journey.

     Graham's mother died in Auschwitz. Graham had five sisters, Rita, Evelyn, Sonja, Ester and Tolla (Tanya). His sister Ester survived Auschwitz. She later moved to the United States and was very close to Graham in his later life. His sister Rita escaped by working as a dancer, first to Shanghai and then, after the war, to the United States.

     Once in the United States, Graham stayed in a foster home in The Bronx in New York City. After being taunted as an immigrant and being called a Nazi because of his German accented English, Graham changed his name ("Graham" was found in the phonebook, it was closest to his real surname "Grajonca." According to Graham, both "Bill" and "Graham" were meaningless to him) and worked to perfect a New York accent. Graham graduated from DeWitt Clinton High School and then went to business school. He was later quoted as describing his training as that of an "efficiency expert."

     Graham was drafted into the United States Army in 1951, although he officially still wasn't a U.S. Citizen, and served in the Korean War, where he was awarded the Bronze Star and Purple Heart for bravery in combat. Upon his return to the States he worked as a waiter/maître d' in the Catskill Mountain resorts in upstate New York during their heyday. He was later quoted as saying his experience as a maître d' and with the poker games he hosted behind the scenes was good training for his eventual career as a promoter. Tito Puente, who played some of these resorts, went on record once saying that Graham was avid to learn Spanish from him, but only cared about the curse words

     Graham moved from New York to San Francisco in the early 1960s to be closer to his sister, Rita. He was invited to attend a free concert in Golden Gate Park, where he made contact with the San Francisco Mime Troupe. He gave up a promising business career to manage the troupe in 1965 and produce concerts. One of the first concerts he promoted was in partnership with Chet Helms of the Family Dog organization and featured the Paul Butterfield Blues Band. The concert was an overwhelming success and Graham saw an opportunity with the band. Early the next morning, Graham called the band's manager, Albert Grossman, and obtained exclusive rights to promote them. Shortly after that, Chet Helms showed up at Graham's office, asking how Graham could have cut him out of the deal. Graham pointed out that Helms would not have known about it unless he had tried to do the same thing to Graham and advised him to "get up early" in the future.

     A charismatic but often difficult personality, Graham's shows attracted elements of America's now legendary counterculture of the time such as Jefferson Airplane, Janis Joplin, Country Joe and The Fish, Lawrence Ferlinghetti, The Committee, The Fugs, Allen Ginsberg, and, a particular favorite of Graham's, The Grateful Dead. His successes and popularity allowed him to become the top concert promoter in rock music. He operated the famous venues the Fillmore West and Winterland (both in San Francisco) and the Fillmore East (in New York City), where the best up-and-coming acts would come to play. Also in New York City, he formed a booking agency called The Millard Agency which organized the booking of bands into various venues across the US. Because his music venue was the Fillmore, it seemed obvious to call the booking agency Millard. Millard Fillmore was the thirteenth president of the United States. In his music venues, he also opened certain weekday nights for unknown bands, like Santana, to get exposure. Graham promoted the West-Coast leg of the legendary The Rolling Stones American Tour 1972, also known as S.T.P. Tour (for Stones Touring Party), as well as parts of the Rolling Stones 1975 and 1978 tours. He would then promote the entire Rolling Stones American Tour 1981 and Rolling Stones European Tour 1982. When the Stones returned to touring in 1989 with the Steel Wheels tour, Mick Jagger took the offer of Michael Cohl's The BCL Group (Ballard Cohl Labatt). Cohl made his reputation (and his fortune) in 1989 by buying the concert, sponsorship, merchandising, radio, television, and film rights to The Rolling Stones' Steel Wheels Tour. The tour became the most financially successful rock tour in history. Graham later found out that Cohl had only offered slightly more money, and Graham took Jagger's repudiation as a personal defeat, writing "Losing the Stones was like watching my favourite lover become a whore".

     In the 1970s, he closed the Fillmores on both coasts, citing a need to "find himself." He retreated to a Greek island, but found the peace disconcerting and later admitted he had trouble with the fact that no one knew who he was there.

     He returned to promoting, first putting on concerts at smaller venues, like the Berkeley Community Theatre on the campus of Berkeley High School. He then leased out the Winterland Arena in San Francisco and promoted shows at the Cow Palace Auditorium in Daly City. His first large-scale outdoor arena concert was a benefit for the San Francisco after-school programs, called the SNACK concert and starred Bob Dylan, with Neil Young and members of The Band. He was careful to make sure everything ran smoothly at his events, fearing the unpredictable nature of large crowds, and became known for his explosive response to anyone deviating from procedure.

     In the mid 1980s, in conjunction with the city of Mountain View, California, and Apple Inc. cofounder Steve Wozniak, he masterminded the creation of the Shoreline Amphitheatre, which became the San Francisco Peninsula's major venue for outdoor rock concerts.

     He would go on to set the standard for well-produced large-scale rock concerts, such as the American portion of Live Aid in JFK Stadium, Philadelphia on July 13, 1985, as well as the 1986 A Conspiracy of Hope and 1988 Human Rights Now! tours for Amnesty International. In addition, he presented regular concerts in Bay Area stadiums, referred to as "Days on the Green," and was known to aggressively challenge potential competition, referring to other promoters by the name "Joe Schlitz." He was often seen pounding his fist into his open hand and announcing that "Joe Schlitz will not come into this town."

     Graham's monopoly business practices went as far as strong-arm contracts with the University of California Regents to control on-campus entertainment venues, thus preventing ASUC and other student organizations from promoting their own rock concerts in the 1980s. In the 80's he teamed up with BASS Tickets to drive small-business ticket-distribution companies out of business in the Bay Area, creating a de facto monopoly. After the small fry went belly-up, the remaining player, Ticketmaster (formerly BASS), raised prices to unprecedented levels. Its only opposition came from a few bands, notably Pearl Jam, who protested that the company's high ticketing fees were unfair to music fans. Such practices were targeted by the California Senate in S.B 815.

     For all his competitive nature and fiery disposition, Graham was recognized as an expert promoter who genuinely cared about both the artists and the attendees at his concerts. He was the first to ensure that medical personnel were on site for large shows and was both a contributor and supporter of the Haight-Ashbury Free Clinic, which he often used as medical support at events. He also loved putting together groups onstage from different ethnic backgrounds—many of whom were ignored by other promoters—and he had an eye for pleasing his audience, while making an effort to educate them in styles of music they would otherwise not have been exposed to.

     In management, Graham is credited with the early careers of groups like Santana, Eddie Money and Paul Collins' Beat. He was also responsible for promoting the careers of virtually every other group that played the concert circuit between 1965 and 1991.

     Graham's status as a Holocaust survivor came into play in the mid-1980s, during the presidency of Ronald Reagan. When Graham learned that Reagan intended to lay a wreath at the Bitburg Cemetery in Germany, where SS Officers were buried, he organized protests against the act. During the same month that Reagan visited the cemetery, Graham's office was firebombed by Neo-Nazis. Graham, in France at the time, meeting with Bob Geldof to organize the first Live Aid concert, was informed of the fire via telephone. He responded as follows: "Was anybody hurt?" It was only after he was told that everyone was okay, he asked, "Is anything left?"

     Graham also was instrumental in commissioning and marketing psychedelic concert posters by designers including Stanley Mouse, Alton Kelley, Wes Wilson and Rick Griffin. These posters are now considered collector's items.

     Graham had a lifelong dream to become a character actor, professing a great admiration for Edward G. Robinson. He appeared in Francis Ford Coppola's Apocalypse Now, as a promoter. In 1990, director Barry Levinson and actor Warren Beatty provided an opportunity for Graham to take a more substantive role by casting him as Charles "Lucky" Luciano in the film Bugsy. During one scene, Graham is shown in a Latin dance number, a style of dancing Graham had embraced in later life. He also appears as a promoter in the 1991 Oliver Stone film The Doors.

     Graham was killed in a helicopter crash near Vallejo, California in 1991, while returning home from a Huey Lewis and The News concert at the Concord Pavilion. Graham had attended the event to discuss promoting a benefit concert for the victims of the 1991 Oakland firestorm, after a large portion of the Oakland/Berkeley Hills burned.

     Once he had obtained the commitment from the News to perform, he returned to his helicopter, but was stopped by the bass player from the band, Mario Cippolina, who, in a moment of foresight, pressed Graham, unsuccessfully, to take his limousine. The helicopter crashed shortly after take-off, just 20 miles from the concert site.

     Flying in weather reported as low overcast, rain and gusty winds, the aircraft flew directly into a 223-foot high-voltage tower along Hwy 37, which runs between Vallejo and Marin County.

     Also killed in the crash was Graham's girlfriend, Melissa Gold, ex-wife of author Herbert Gold, and pilot Steve Kahn.

     Graham was married one time to a woman named Bonnie and had had several long-term relationships. He was survived by his sisters and two sons, David Graham and Alex Graham, as well as his stepson, Thomas Sult.

     Following his death, his company, Bill Graham Presents, was taken over by a group of employees. Graham's sons remained a core part of the new management team. The new owners sold the company to SFX Promotions, which in turn sold the company to Clear Channel Entertainment. The BGP staff did not embrace the Clear Channel name, and several members of the Graham staff eventually left the company, including former President/CEO Gregg Perloff and former Senior Vice President Sherry Wasserman, who started their own company, Another Planet Entertainment. Eventually Clear Channel separated itself from concert promotion and formed Live Nation, which is managed by senior Clear Channel management. Live Nation is now the world's largest concert production/promotion company.

     In tribute, the San Francisco Civic Auditorium was renamed the Bill Graham Civic Auditorium and his memorial service in Golden Gate Park attracted one of the biggest crowds the park had ever seen. It included many of the bands Graham had supported.

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