Caleb came to painting as a result of his inability to get cameras to record his unique emotional response to his surroundings. “Apparently, I see light and lines somewhat differently than film or CCD’s do. Go figure.” He has used just about every media known to western man, and although pastel is his first love, and oils his longest romance, he now employs acrylic paints, to take advantage of their ability to mimic pastel chalks.
    Although Caleb cites the early-twentieth century Regionalists as his major formal influence, he says he is more governed by aesthetic preferences that are rooted in his childhood experience and perception. “In childhood, perception and preference are unfiltered, raw and honest. I notice that I am drawn to the scenes, colors and shapes that surrounded me before my fifth year. I did not consciously make choices then; I do better work when I do not make conscious choices now. But there is always choosing.”
    Caleb says that he can describe his work his work as being closest to Fauvist in appearance. He says that the Florida climate is very influential. “During the winter, my paintings are relatively cool and sober. By August, I’m laying down wild colors that hatch in my poor heat-addled head. I guess I’ll never really get acclimatized…”
     Caleb spent his youth in the Midwest, New York and finally the Los Angeles basin. As a young adult he moved to Oregon, where he spent a good chunk of his adult life. He has been on the Pinellas peninsula on Tampa Bay for nearly a dozen years.
    Caleb lives and paints in St. Petersburg, which he is sure is the best place on the Gulf Coast of Florida. He cohabits with Toulouse the dog and Bonnie the cat.
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